Back in 2000, long before my time here, the church built a new auditorium. As a part of that build they took some gear they had and added some new stuff in order to have a small studio. The setup was functional at the time but certainly nothing all that special. A Mackie 3208, four ADAT XT20’s and a pair of Mackie 824 monitors hold down the primary pieces. Since I have been here, I’ve added acoustic treatments to the control room as there were none before (scary). However, despite all my best efforts I have been unable to make the old ADAT XT20’s work correctly. Sometimes they would record and sometimes they would play back. I tried carefully cleaning them properly, new tapes, and just about everything I could think of other than changing the heads or buying new (used) ones. I finally gave up and the stuff has sat there doing nothing but mock me for many months.
Our church asks for our worship that they can take home regularly. I do record our FOH mix for our team and I am often surprised at its quality, but it’s still not something that I am comfortable giving to our people in general. I am not concerned with mistakes, but I am concerned with mix issues that come up when you are mixing for a live room and not for recorded playback. People are accustomed to listening to music in their cars and I want to give them an experience they enjoy and remember hearing live. Its not worship if it’s distracting.
Oh, it was frustrating to see the infrastructure, full iso-split, full patch bays, nice out-board gear including a Manley pre-amp, just collecting dust. We’ve changed so many things and have come so far over the past two years. We now have a worship leader who is a GREAT song writer along with a band that can really play and I wanted to be able to use this capability. I decided I would figure out a way to record and edit 24-32 tracks without spending much money and try to use as much of the gear we have as I possible. Hmm… a nice Mac G5 dual processor box I have, only being used occasionally for video as
I much prefer Sony Vegas, would make a good platform. I’ve got 32 converters in those ADAT boxes, nothing amazing but very functional for what I need. Along comes the
MOTU 2408Mk3and
Digital Performer (wish I could afford ProTools) via eBay and I’m off and running, mostly.
It took a phone call to my good friend
Jesse Jones to help me configure all this gear as I'm mostly clueless with a Mac. Last night I recorded our rehearsal to see how things would work and was thrilled to see all the tracks recording along with ease. Unfortunately, I didn’t listen to all of Jesse’s advice and tried to use the digital sync clock riding on the optical lines as the reference for the system. The recording I made had lots of pops and fuzz on all the tracks but the first eight channels where the clock was originating. I grab another ADAT sync cable and attach the last ADAT sync out to the sync on the MOTU PCI-424 card and try again. This time all is quiet and clean. Lesson learned, again. I will record Sunday morning and see if I have everything working correctly. I sincerely hope and pray it’s right now. If all goes well I will be looking for a DAW controller of some kind. I’m open to suggestions if you have any. I may also move to Cubase as a DAW as it appears that it fits my work style better and I can move over to a Windows box with it if I need to. Long term I hope to loose the Mackie 3208 and move to something like the
Focusrite Saffire or the
MOTU 8pre. It will be exciting to see where this leads.
Labels: DAW, recording